Marina Piccola is a beautiful bay surrounded by large cliffs and from urban and natural environment. The most attracting thing of this beach it’s its special charm created by the mix of wonderful scenery, sand, crystalline water as well as the spectacular environment that surrounds it. This wonderful corner of paradise is formed by two very small beaches: Marina di Mulo and Marina di Pennauro once used as little hamlets. Between the two beaches, we find what it could be considered one of the main attraction of Capri: “Scoglio delle Sirene”; in ancient times, Romans used it as a pier but there are several theories around its origin. According to the theories of some scholars of the past,the place was in reality the much-vaunted lair of the mermaids narrated by Omero in the Odyssey, it seems in fact, that the rocks of Marina Piccola in Capri matches perfectly those described by Omero in his Odyssey. In this very famous greek poem in fact, Omero tells of a beach covered with bones on which, the hero Ulysses was attracted by the Mermaid’s enchanting chant; in a small cave in Marina Piccola scholars really found numerous ancient bones. It is not surprising that from the 50s of last century, this beach attracts a high level tourism and still can count many celebrities among its visitors, its unique conformation, environment and history make of it one of the “To-do” things in Capri. But just stop for a second and let’s talk about the way to access this wonderful place: “Via Krupp”, a historic switchback path that connects Marina Piccola to Giardini di Augusto and the charterhouse of San Giacomo.
Commissioned by the German Friedrich Alfred Krupp, the path was idealized as a direct connection from his apartment in Quisisana Hotel to Marina Piccola. The magnate in fact, not managing to reach quickly the little beach where his marine biology research vessel used to lay at anchor, bought the entire area comprised between the Charterhouse of San Giacomo and the Castiglione, to build the renowned “Via Krupp”. Since 1976, the path has been closed several times due to numerous landslides occurred during the years forcing the islanders to use the alternative less panoramic “Via Mulo”. “Via Krupp”starts right after the staircase that lead to “Giardini di Augusto” from where it’s possible to see the road, and which after an initial short straight section, proceed with its characteristic numerous bend for a total of 8 curves.
Right after the winding part of the road, begins a long straight path, from where it’s possible to admire the famous Faraglioni, and from where starts one of the two narrow paths that take respectively to: “Grotta del Castiglione”and “Grotta dell’Arsenale”. The first one is the largest cavity of Capri that opens at 250 meters above the sea level and used to be a refuge during the war’s years; the second one instead, was in roman times a depot for naval stores. Right few minute walk after the beginning of the straight path, we find the gate that take to “Grotta di San Felice”; property of the magnate Krupp, who after cleaning and furnishing it up, used it as his usual hangout point; the grotto has many stories related to itself. For sure, the most famous and scandalous is the one related to the sexual activities it was believed to have taken place there; it is in fact known as Krupp had been accused of pederasty during the war years and how serious this was for the German Reich.
It is said that the "well engineered" scandal, born from the envy and the blackmail of the locals, was "the martyrdom of a man." In the cave (soon called "Orgies Cave") Krupp used to gather with his friends, who, with the disappointment of many people (especially from Capri) had nothing to do with British, Germans, Russians and Americans that instead met at the table d 'hôte of the Zum Kater Hiddigeigei Cafè of the Morgano family. The friends with whom he used to entertain in the cave were: two doctors (Ignazio Cerio and Vincenzo Cuomo), two engineers (Edwin Cerio and the German Wiesener), two painters (White and Lovatti), the young barber Adolfo Schiano (believed to be the favorite of Krupp) and the fishermen Antonino Arcucci, equally young and beautiful. It was said that the group used to meet after going hunting for quail or to held philosophical and convivial meetings but, according to local rumors, the cave was "a fragrant Sodom where Capri children were subjected to the most sophisticated tenderness from their host" to the sound of three violins; the orgasm would have been celebrated by' rocket firing.
When the scandal surfaced, Krupp was expelled from Italy in 1902 but the severity of what was retained a crime at that time in Germany (homosexuality), caused so much pressure on him that few time later Krupp was found dead in his german residence. The official cause of the death was said to be a stroke, though probably it was suicide.
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Showing posts with label Giardini. Show all posts
Showing posts with label Giardini. Show all posts
August 12, 2013
August 9, 2013
"La Mortella" Gardens (Ischia)
Last week I went to Ischia, which is quite near from where I live,there I visited this spectacular Garden, I took so much interest in it that I decided to write an artcile for the company I work for. I decided to share it with you all too. Enjoy the reading!
Deep inside the heart of the spectacular Island of Ischia we find “La Mortella” Garden, one of the most beautiful private gardens in Europe. The name “Mortella” indicates myrtle, in Neapolitan dialect, the "divine myrtle" (Myrtus communis), a plant that grows with great abundance among the rocks of the hill on which lies the garden who held considerable importance in the greek-roman mythology, sometimes representing beauty or virginity, sometimes love or fortune pagan.
The story of this enchanting place is related to the fabulous love story of its founders: Sir William and Susana Walton. Sir William Walton, is today considered one of the greatest English composers of the twentieth century, some of his best-known work are “Façade” and the wonderful soundtrack for Henry V with Laurence Olivier, the three concertos for viola, violin and cello, the monumental choral Belshazzar's Feast, the two symphonies, opera Troilus and Cressida, a comic opera, The Bear. He has written two gears for the coronation: Imperial Crown for the King George VI and Orb and Sceptre for Queen Elizabeth, as well as a Te Deum. His wife Susana on the other hand, was daughter of a wealthy argentine family but, as independent and determined as she were, she decided to work, forcing her family to accept this decision. She was working for the British Consulate in Buenos Aires when she first met William Walton, the forty-six years old composer, who went to Buenos Aires for an international conference of the Performing Right Society.
Susana organized the press conference for the composer, who noticed this young, attractive and vivacious brunette from the big green eyes, in a crowd of reporters, suddenly deciding that she was the woman he wanted to marry. The same evening, Susana was asked by William to marry him, becoming engaged in a matter of two weeks, causing concern in her family and among each other colleagues who did not believe in this love at first sight. Regardless of the comments of others, they married two months later and left for Europe, to be more precise in Italy (Ischia / Forio). In this wonderful curative island, after two years spent in rented house, the couple decided to buy a gorge of volcanic origin to build there their own house. Being that place big, wild, and bristling with rocks, they needed the help of a famous landscape architect: Russell Page, who was also a great admirer of the music of Walton, to draw a house and what would have been later the most gorgeous garden of all Europe.
The house, built on the side of a volcanic hill, includes a Recital Hall and an Archive. Created in 1990, the archive includes letters, photographs, manuscripts and memorabilia of Sir William. The archive provides a great resource for both scholars and enthusiasts; a fraction of the material is currently on permanent display in the museum. The collection is continuously updated whenever additional material comes to light. Just like “La Mortella” itself, which evolved from a barren rock quarry to a rich tropical garden, the archive has been a labor of love supported by a careful long-term planning. “La Mortella” (the garden) is divided into two different parts: The Valley, designed by Russell Page, characterized by a subtropical climate, moist and protected from the wind, and the Hill or the upper garden, entirely designed and developed by Lady Walton, with sunny and windy areas and characterized by a Mediterranean areas vegetation. It covers a wide area of about 2 hectares and, houses a collection of more than 3000 species of exotic and rare plants. The whole garden is designed with skill and is embellished with fountains, swimming pools, watercourses that allow the cultivation of a superb collection of aquatic plants such as papyrus, lotus flowers and tropical water lilies.
The various areas of the garden are connected with paths, trails, steps and stonewalls, which from terrace to terrace push the visitor up to the stunning views over the bay of Forio. The Valley part of the garden is the older one and is characterised by an L form. The longer arm is traversed by a stream of water, while the shorter one is located opposite house Walton. The main points of articulation of the visual axes are highlighted by four fountains, designed at different times in its history (eightieth birthday of Sir Walton for example). Talking about this wonderful garden we have to underline the fact that it doesn’t only presents a rich collection of flowering plants, but it also houses many specimens chosen for the colour of the logs or the shape of the foliage. Russell Page, just did not want a composition of ornamental flowers. He thought that an excess of colour could disturb the tranquillity because, consciously or not, the eye is distracted by the colours and vague unabated. He preferred the subtle play of shapes and volumes, the design of branches and foliage of the trees silhouetted against the sky. Among the most beautiful plants of the garden, we find: Ginkgo Biloba, Woodwardia radicans from Canarie, Puya berteroniana from Cile, Liriodendron tulipifera, but actually one of the most spectacular specimen plant togheter with the orchids housed in a special greenhouse, is the “Victoria” a giant water lily that grows in the rivers that form the basin of the Amazon River. Discovered by a German botanist, Thaddaeus Haenke in 1801, it was introduced in Europe and made bloom for the first time by the head gardener of the Duke of Devonshire: Joseph Paxton; the “Victoria” soon became the “wonder” botany sought by everyone.
The Greenhouse, which houses this marvellous giant water lily, is also famous because of its structure, it is in fact dominated by a giant “Mouth”; sculptured by Simon Verity it reproduces a mask designed by John Piper on the curtain of “Façade”. The upper garden, or Hill, entirely designed and developed by Lady Walton in 1983 (year of the death of her husband), is, compared to the “Valley” garden which is more intimate, wet and lush, more open to the outside world, full of views, sun, covered in Mediterranean vegetation. The Mediterranean garden merges and integrates seamlessly with the landscape of the island that embraces it. The Hill is dotted with amazing architectural elements, often intertwined with symbolic meanings and references to the history and archaeology like: Sala Thai, surrounded by lotus flowers, bamboo and Japanese maples, the Sun Temple, decorated with bas-reliefs by Simon Verity, the Waterfall of the Crocodile, the Nymphaeum and the Greek theatre, which hosts musical summer concerts. On the brow of the hill, in a position that dominates not only the garden but also the whole bay of Forio, is located the Rock of William, which treasures the ashes of the great musician who was William Walton. It is a natural pyramid of trachyte boulder, once a block border, which William himself declared to be "his stone" on the day of the purchasing of the property. But Susana too has her own memorial, and it is not far away from her husband one, it is called the Nymphaeum and we found: “This green arbour is dedicated to Susana, who loved tenderly, worked with passion and believed in immortality" written on it.
Lady Walton, to offer her husband a refuge in which to work in peace and isolation, created this enchanting garden in 50 years with an artistic sense, love and determination. While William composed, Susana created a masterpiece, unique, made of flowers and plants, planting tirelessly, giving shape and structure to a rough and unpromising terrain, propagating and irrigating, and believing in the power of dreams as he created a garden that now home to thousands of rare and exotic plants. To Susana Walton, “La Mortella” is the mission of a lifetime, a monument to the life and works of William, and a poignant reminder of the great, but sometimes painful love they have experienced. It is said in fact that William did not want any children so he informed her about that and, when she became pregnant, he insisted that she have an abortion. This is probably the reason why, to tell as Humphrey Burton do: “Deprived of children of her own – the account of her abortion in her memoirs makes gruesome reading – she poured an almost maternal love into her garden, carved out of the Ischia rock face.”
The property, which in the early '50s was a sunny and barren land dotted with volcanic stones, today is a garden in several levels, ranging from a typical sub-tropical in the valley, with its own microclimate moist and shady, the areas most exposed to the sun on top of the hill. Since both Susana and William are dead, this wonderful property is today managed by the: “William Walton Foundation” along with the “William Walton Trust”, of which Prince Charles of Wales is Honorary President. The overriding purpose of the foundation is to make “La Mortella” a study center for talented young musicians under the direction of the most important masters of the world and open to the public the garden with the Recital Hall / Museum. For these reasons, every year they offers scholarships for composers in collaboration with Harvard University and organizes season of concerts with music schools in Naples, Rome and Florence.
Deep inside the heart of the spectacular Island of Ischia we find “La Mortella” Garden, one of the most beautiful private gardens in Europe. The name “Mortella” indicates myrtle, in Neapolitan dialect, the "divine myrtle" (Myrtus communis), a plant that grows with great abundance among the rocks of the hill on which lies the garden who held considerable importance in the greek-roman mythology, sometimes representing beauty or virginity, sometimes love or fortune pagan.
The story of this enchanting place is related to the fabulous love story of its founders: Sir William and Susana Walton. Sir William Walton, is today considered one of the greatest English composers of the twentieth century, some of his best-known work are “Façade” and the wonderful soundtrack for Henry V with Laurence Olivier, the three concertos for viola, violin and cello, the monumental choral Belshazzar's Feast, the two symphonies, opera Troilus and Cressida, a comic opera, The Bear. He has written two gears for the coronation: Imperial Crown for the King George VI and Orb and Sceptre for Queen Elizabeth, as well as a Te Deum. His wife Susana on the other hand, was daughter of a wealthy argentine family but, as independent and determined as she were, she decided to work, forcing her family to accept this decision. She was working for the British Consulate in Buenos Aires when she first met William Walton, the forty-six years old composer, who went to Buenos Aires for an international conference of the Performing Right Society.
Susana organized the press conference for the composer, who noticed this young, attractive and vivacious brunette from the big green eyes, in a crowd of reporters, suddenly deciding that she was the woman he wanted to marry. The same evening, Susana was asked by William to marry him, becoming engaged in a matter of two weeks, causing concern in her family and among each other colleagues who did not believe in this love at first sight. Regardless of the comments of others, they married two months later and left for Europe, to be more precise in Italy (Ischia / Forio). In this wonderful curative island, after two years spent in rented house, the couple decided to buy a gorge of volcanic origin to build there their own house. Being that place big, wild, and bristling with rocks, they needed the help of a famous landscape architect: Russell Page, who was also a great admirer of the music of Walton, to draw a house and what would have been later the most gorgeous garden of all Europe.
The house, built on the side of a volcanic hill, includes a Recital Hall and an Archive. Created in 1990, the archive includes letters, photographs, manuscripts and memorabilia of Sir William. The archive provides a great resource for both scholars and enthusiasts; a fraction of the material is currently on permanent display in the museum. The collection is continuously updated whenever additional material comes to light. Just like “La Mortella” itself, which evolved from a barren rock quarry to a rich tropical garden, the archive has been a labor of love supported by a careful long-term planning. “La Mortella” (the garden) is divided into two different parts: The Valley, designed by Russell Page, characterized by a subtropical climate, moist and protected from the wind, and the Hill or the upper garden, entirely designed and developed by Lady Walton, with sunny and windy areas and characterized by a Mediterranean areas vegetation. It covers a wide area of about 2 hectares and, houses a collection of more than 3000 species of exotic and rare plants. The whole garden is designed with skill and is embellished with fountains, swimming pools, watercourses that allow the cultivation of a superb collection of aquatic plants such as papyrus, lotus flowers and tropical water lilies.
The various areas of the garden are connected with paths, trails, steps and stonewalls, which from terrace to terrace push the visitor up to the stunning views over the bay of Forio. The Valley part of the garden is the older one and is characterised by an L form. The longer arm is traversed by a stream of water, while the shorter one is located opposite house Walton. The main points of articulation of the visual axes are highlighted by four fountains, designed at different times in its history (eightieth birthday of Sir Walton for example). Talking about this wonderful garden we have to underline the fact that it doesn’t only presents a rich collection of flowering plants, but it also houses many specimens chosen for the colour of the logs or the shape of the foliage. Russell Page, just did not want a composition of ornamental flowers. He thought that an excess of colour could disturb the tranquillity because, consciously or not, the eye is distracted by the colours and vague unabated. He preferred the subtle play of shapes and volumes, the design of branches and foliage of the trees silhouetted against the sky. Among the most beautiful plants of the garden, we find: Ginkgo Biloba, Woodwardia radicans from Canarie, Puya berteroniana from Cile, Liriodendron tulipifera, but actually one of the most spectacular specimen plant togheter with the orchids housed in a special greenhouse, is the “Victoria” a giant water lily that grows in the rivers that form the basin of the Amazon River. Discovered by a German botanist, Thaddaeus Haenke in 1801, it was introduced in Europe and made bloom for the first time by the head gardener of the Duke of Devonshire: Joseph Paxton; the “Victoria” soon became the “wonder” botany sought by everyone.
The Greenhouse, which houses this marvellous giant water lily, is also famous because of its structure, it is in fact dominated by a giant “Mouth”; sculptured by Simon Verity it reproduces a mask designed by John Piper on the curtain of “Façade”. The upper garden, or Hill, entirely designed and developed by Lady Walton in 1983 (year of the death of her husband), is, compared to the “Valley” garden which is more intimate, wet and lush, more open to the outside world, full of views, sun, covered in Mediterranean vegetation. The Mediterranean garden merges and integrates seamlessly with the landscape of the island that embraces it. The Hill is dotted with amazing architectural elements, often intertwined with symbolic meanings and references to the history and archaeology like: Sala Thai, surrounded by lotus flowers, bamboo and Japanese maples, the Sun Temple, decorated with bas-reliefs by Simon Verity, the Waterfall of the Crocodile, the Nymphaeum and the Greek theatre, which hosts musical summer concerts. On the brow of the hill, in a position that dominates not only the garden but also the whole bay of Forio, is located the Rock of William, which treasures the ashes of the great musician who was William Walton. It is a natural pyramid of trachyte boulder, once a block border, which William himself declared to be "his stone" on the day of the purchasing of the property. But Susana too has her own memorial, and it is not far away from her husband one, it is called the Nymphaeum and we found: “This green arbour is dedicated to Susana, who loved tenderly, worked with passion and believed in immortality" written on it.
Lady Walton, to offer her husband a refuge in which to work in peace and isolation, created this enchanting garden in 50 years with an artistic sense, love and determination. While William composed, Susana created a masterpiece, unique, made of flowers and plants, planting tirelessly, giving shape and structure to a rough and unpromising terrain, propagating and irrigating, and believing in the power of dreams as he created a garden that now home to thousands of rare and exotic plants. To Susana Walton, “La Mortella” is the mission of a lifetime, a monument to the life and works of William, and a poignant reminder of the great, but sometimes painful love they have experienced. It is said in fact that William did not want any children so he informed her about that and, when she became pregnant, he insisted that she have an abortion. This is probably the reason why, to tell as Humphrey Burton do: “Deprived of children of her own – the account of her abortion in her memoirs makes gruesome reading – she poured an almost maternal love into her garden, carved out of the Ischia rock face.”
The property, which in the early '50s was a sunny and barren land dotted with volcanic stones, today is a garden in several levels, ranging from a typical sub-tropical in the valley, with its own microclimate moist and shady, the areas most exposed to the sun on top of the hill. Since both Susana and William are dead, this wonderful property is today managed by the: “William Walton Foundation” along with the “William Walton Trust”, of which Prince Charles of Wales is Honorary President. The overriding purpose of the foundation is to make “La Mortella” a study center for talented young musicians under the direction of the most important masters of the world and open to the public the garden with the Recital Hall / Museum. For these reasons, every year they offers scholarships for composers in collaboration with Harvard University and organizes season of concerts with music schools in Naples, Rome and Florence.
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